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We do not remember days ... we remember moments.
Cesare Pavese
The Blind Leading The Blind

Have you ever stopped to think just what it must be like to be blind?

In Fiji there are still people who laugh at the blind.  There are those who have no pity for people with physical handicaps.

Stop for a minute, close your eyes. Try to walk to the door.  It's not easy is it? Imagine. Some people live in that world every day.

In Paris the public is being given the chance to find out what it's like to be blind.  The Paris Videothèque has attempted to recreate the world as it is experienced by blind people: a circuit in which the blind are the guides and those temporarily deprived of their sight become the handicapped.

"Dark/Noir" as the project is called also aims to show how the other senses - touch, hearing, smell and taste - acquire more acuity when the eyes become redundant.  Visitors go through a curtain into the "kingdom of darkness".

The blackness is total; similar to an underground cave when the lights go out, nothing can be distinguished.  A voice welcomes the small group tempted by the experience of "dialogue in the dark," an idea devised by Andreas Heinecke of the Frankfurt Foundation for the Blind.

The guide's name is Gilles.  He is blind, and it is his job to reassure and help those who find it difficult to cope.  Anxiety and surprise are constant without the eyes to warn of what is coming.  The visitor makes unsteady progress using a stick in one hand to scan the ground ahead for bumps while using the other to feel for larger obstacles and try to identify the object he has collided with.  Many who have been round the circuit said they were continually afraid of falling into the void.

When sight is lost, touch and hearing are mobilized to compensate.  In the garden it is the bird song that captures the attention or the babbling sound of a stream nearby.  Sounds gain in intensity in the all-encompassing darkness.

The circuit begins in the garden.  The visitors shuffle, trip and bang into each other, clutch at things around them, suddenly realizing they are holding somebody else.  After a mumbled "sorry" they turn away only to hit another person.  Or was it a tree?

Gilles takes his charges into a room where he says there are sculptures.  Visitors examine them probing and stroking the shapes, slightly embarrassed at the thought of what they might be caressing.

Next comes a street recreated for real with the roar of traffic and noises coming from all sides.  "This is only a quiet street believe me," says Gilles.

For the non-initiated the cacophony of vehicle engines, road works and jet aircraft overhead seems an odd sort of tranquility.  What a really busy street must sound like defies the imagination.

To get over their fright, visitors are taken into a "cafe" complete with all the noises of glasses chinking and chatter.  At the bar counter they order drinks from a blind barmaid.  The final test is paying and being able to recognize the coins and count the change.

The Videothèque also offers "dinners in the darkness" where diners often have difficulty recognizing what they are eating, or short music concerts and braille reading sessions all in the dark.

Not surprisingly, it is much easier to concentrate on what is being performed.

Towards the end of the tour, Gilles, who is 28, explains that he lost his sight gradually as a result of disease.  "Two years ago" I realized one day that I could no longer see at all," he said.  Gilles was critical of those with sight saying they made no effort to understand the problems of blind people.

Now the visitors can distinguish a faint glow that grows stronger as they make for the exit.  When they emerge into the sunlight, they see Gilles for the first time with his dark glasses and white stick.

"Goodbye," he says, before returning into the world of darkness.

From
The Fiji Times
1994

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Copyright © 2006, Jace Carlton.  All International Rights Reserved.

Copyright © 2005-2013, Jace Carlton.  All International Rights Reserved.